Our latest print issue has finally landed…
Yinka Esi Graves is a black-British Flamenco dancer. She chats to Courtney Yusuf about her black identity and the tradition’s African roots.
Nkenna Akunna meets Arinzé Kene, the second black British playwright in history to have a West End open. They chat Misty, telling truthful stories of black masculinity, and how he is exploding conventional methods of theatre-making.
Lilian Nejatpour is a British-Iranian multidisciplinary artist whose latest piece, ‘Choreophobia’, explores the politicisation of male sensuality and the dislocation of dealing with multiple identities. She talks dance, bass, and doing the dishes with Courtney Yusuf.
The Producers Edit, an early evening foray into the musical minds of some of the UK’s most talented producers.
Nkenna Akunna on finding herself in Pinnock’s play Leave Taking, and what it means to be seen in a world built to erase you.
On writing a play that confronts the nuances of mental health, migration and motherhood in the urban African diaspora.
Our Skin Deep resident reviewer Nkenna Akunna spoke to performance artist Jamila Johnson Small.
Our first Sonic Bodies event, in collaboration with all-female dance collective House of Absolute.
The premier a visual feast, the debut music video from Sawa-Manga, blurring the line between the realm of visions and the waking day.
We chat to London-based saxophonist Nubya Garcia about building on musical legacies, shaping her sound, and the meaning of hype.
Nkenna Akunna sits down with Giselle Gant and Nathalie Adlam to chat about The Year of the Rooster Monk at the Pleasance Theatre.