Nkenna Akunna chats to filmmaker hajooj kuka about making his film aKasha and telling stories of joy, war, love and rebellion.
As part of Freeword’s THIS IS PRIVATE series, Zia Ahmed’s visual poem ‘The Moon Is A Meme’ explores the experiences of a young British-Asian Muslim man to respond to the notion of privacy in an era of surveillance.
Jessica Ashman’s short film project is an exploration of belonging and what it means to exist and work in the animation world as a woman of colour. We chat to her about modes of survival and creating confessional art.
Our latest print issue has finally landed…
Yinka Esi Graves is a black-British Flamenco dancer. She chats to Courtney Yusuf about her black identity and the tradition’s African roots.
Nkenna Akunna meets Arinzé Kene, the second black British playwright in history to have a West End open. They chat Misty, telling truthful stories of black masculinity, and how he is exploding conventional methods of theatre-making.
Lilian Nejatpour is a British-Iranian multidisciplinary artist whose latest piece, ‘Choreophobia’, explores the politicisation of male sensuality and the dislocation of dealing with multiple identities. She talks dance, bass, and doing the dishes with Courtney Yusuf.
The Producers Edit, an early evening foray into the musical minds of some of the UK’s most talented producers.
Nkenna Akunna on finding herself in Pinnock’s play Leave Taking, and what it means to be seen in a world built to erase you.
On writing a play that confronts the nuances of mental health, migration and motherhood in the urban African diaspora.
Our Skin Deep resident reviewer Nkenna Akunna spoke to performance artist Jamila Johnson Small.
Our first Sonic Bodies event, in collaboration with all-female dance collective House of Absolute.